Amatic Online Casinos UK: Games, Bonuses and RTP

Amatic supplies software to casino operators, while each casino controls how its games, offers and RTP are presented.

Updated October 2026

Licensed

Available in GB

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18+ Only

How Amatic Games Reach UK Casino Lobbies

Amatic Industries GmbH belongs to the business-to-business side of remote gambling. Founded in Austria in 1993, it supplies casino software to operators rather than running a gambling site of its own. There is no Amatic cashier, consumer account or player-facing casino waiting behind the company name. The provider creates and supplies the software; the operator presents it to customers.

That distinction matters when a search for Endorphina casino software in the UK produces a page about another supplier. A provider’s name can appear in a casino lobby without that provider being the company taking deposits or settling wins. The lobby is the shop window. The software house is further back, in the machinery.

Amatic’s online operation is known as AMANET. It was introduced around 2010 as the company’s online gaming division, extending its established casino-software business into remote gambling. Its role is not to sell a standalone slot app or a direct route to real-money play. Instead, AMANET supplies games in a form that licensed operators can incorporate into their own casino systems.

There are two practical routes into a British lobby. An operator can connect directly to Amatic’s platform, allowing the games to be displayed and managed within its existing remote-gambling environment. Alternatively, an aggregator can provide the technical bridge: one feed connects several suppliers with operators, reducing the need for each casino to build separate integrations. In both cases, the title reaches the customer through the operator’s account, website and controls, not through an independent Amatic marketplace.

For British-facing remote gambling, Amatic Industries GmbH has held a UK Gambling Commission remote software licence since 27 April 2017; its account number is 47992. That permission concerns the supply of gambling software. It does not turn Amatic into a consumer casino or replace the operator’s own obligations.

So an online casino software review may discuss Amatic’s technology, while a casino lobby determines whether the games are actually available there. Those are related questions, but not the same one. Distribution first. Availability later.

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The Shape of an Amatic Slot

An Amatic slot has a recognisable grammar. It is not a promise about every release in a catalogue, nor a description of one particular title. It is the recurring arrangement that makes many games from the Austrian supplier feel related: five reels, three rows, a compact set of fixed paylines, scatter symbols and a free-spin feature in the familiar “Book of” tradition.

That structure belongs to the video-slot family rather than to the old mechanical machine in a pub or amusement arcade. The reels are presented on screen, symbols settle into rows, and the result is generated electronically. Yet the design does not abandon the visual language of classic slots. The screen remains legible at a glance; the payline pattern is limited rather than sprawling; the feature round is announced as a separate event. There is little architectural mystery. The attraction lies in repetition, recognition and the possibility that a familiar arrangement will suddenly produce an unfamiliar result.

Five reels and three rows

The central grid contains five vertical reels and three horizontal rows. A spin places one symbol in each visible position, creating a rectangular field on which winning combinations are assessed. This is the standard canvas for the typical Amatic online slot, and it gives the games a proportion that is easy to read on both a large screen and a smaller one.

The grid also defines the rhythm of a round. The reels move, stop, and reveal the symbols from left to right or in a simulated sequence. The eye follows that movement almost automatically: anticipation is built into the order in which the columns settle. Nothing has to be explained at length for the mechanism to work. A short animation turns a static grid into a small ceremony.

The five-reel format leaves room for two kinds of visual language at once. Symbols can carry a recognisable theme, while the arrangement itself remains familiar from one game to another. That continuity matters. A person approaching an unfamiliar slot does not need to learn an entirely new interface before understanding what the screen is asking them to notice.

Three rows keep the visible field restrained. More rows can make a slot look busier and can support more elaborate ways of forming combinations. The Amatic pattern is more economical: the symbols are displayed in a space where the relationship between them can be seen without a diagram. It is a design of immediate comprehension.

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Nine or ten fixed paylines

The typical format uses nine or ten fixed paylines. These are predetermined routes across the reels. A line may run straight through corresponding rows, or follow a simple movement between them, depending on the game’s layout. When matching symbols appear along an active route, the paytable determines whether the combination qualifies for a win and what it pays.

“Fixed” is the important word. The number of paylines is built into the game rather than selected freely during play. The player is not presented with a long menu of line configurations that changes the shape of each round. The slot has a set pattern, and the stake is applied to that pattern.

This is one reason the format feels closer to the classic slot than to a highly expanded modern grid. A large number of lines can make individual symbols part of many possible combinations at once. Nine or ten fixed lines create a more bounded field of attention. The result is not necessarily simpler in mathematical terms, but it is simpler to describe visually: these are the routes, these are the symbols, and this is the relevant paytable.

The fixed-line model also separates the appearance of the game from the amount staked on a round. The reels do not become wider because a different line setting has been chosen. The underlying layout remains stable. For a catalogue built around related formats, that consistency can be as valuable as a distinctive theme.

Symbols, combinations and the paytable

Every slot depends on a hierarchy of symbols. Some are ordinary paying symbols, often divided into lower- and higher-value groups within the game’s own paytable. Others have a special function: a scatter may activate a feature or pay when appearing in the required arrangement, while another symbol may be associated with a separate bonus mechanic.

The exact artwork and symbol names vary by title, but the principle is steady. The paytable is the translation key between what appears on the reels and what the game recognises as a result. It explains the value attached to combinations and identifies the symbols that do something beyond completing a line.

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That makes the paytable more than decorative paperwork. It is the slot’s small constitution. The reels display events; the paytable defines their meaning. Without it, a bright symbol is only a bright symbol. With it, the same image may be a line-paying emblem, a scatter, or part of the route into a feature round.

Fixed paylines give this interpretation a visible boundary. A matching set does not pay simply because similar images happen to be near one another. The symbols must satisfy the game’s line rules or the separate conditions attached to a scatter. The difference is easy to miss when the screen is animated, but it is central to how the slot is structured.

Scatter pays and the special route

Scatter symbols are treated differently from ordinary line symbols. Their function is not limited to appearing along one of the fixed routes. In the typical Amatic arrangement, scatter pays form part of the feature logic, helping to open the way to a free-spin round. The game therefore has two overlapping systems: the regular paylines and a separate trigger condition.

This creates a change in tempo. A standard spin asks whether the visible symbols form a paying line. A scatter event asks whether enough of a particular symbol has appeared to move the game into another phase. The player is no longer watching only for a line across the reels; the whole grid becomes relevant to the possibility of a feature.

That distinction is also why scatter symbols are so prominent in slot design. They interrupt the ordinary reading of the reels. A line win belongs to the current spin. A scatter combination can announce that the current spin has opened a sequence of spins with different rules or presentation. It is a small narrative device, though one governed by fixed mathematics rather than storytelling.

The scatter does not need to be confused with a guarantee of a favourable result. Its role is functional: it can qualify the spin for the feature defined by the game. What happens inside that feature remains a matter of the game’s own rules and outcome generation.

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The “Book of” free-spin round

The familiar “Book of” style free-spin round is the defining feature attached to this common format. The name points to a presentation in which the game’s theme is gathered into a special chapter, scene or bonus mode. Once triggered, the round separates itself from the ordinary sequence of spins.

The free-spin phase changes the feeling of the game without requiring a completely different machine. The same five reels and three rows may remain on screen, but the feature gives them a new significance. Symbols can be presented as part of a bonus story, and the player watches the sequence develop rather than returning immediately to the ordinary base game after each result.

A “Book of” feature is therefore both a mechanical device and a piece of stagecraft. The mechanics determine when the feature begins and how its spins are handled. The presentation gives that transition a recognisable shape. A book opens; a chapter begins; the familiar grid is temporarily framed as a special event. Slot design has always borrowed from theatre, and this is one of its more economical props.

The free-spin round should not be described as a separate product. It is part of the slot’s internal structure, reached through the conditions set by the game. Nor does the label alone establish the value or frequency of the feature. Those details belong to each game’s rules and paytable, not to the general format.

A classic format in an electronic setting

The appeal of this arrangement comes partly from its balance between old and new. The five-reel, three-row grid recalls the classic visual form. The online presentation adds animation, sound and a feature sequence that a physical cabinet could not reproduce in the same way. The game remains recognisable while becoming more theatrical.

That mixture helps explain why these slots can be described as classic without being mechanical replicas. Their classic quality lies in the disciplined grid, the limited fixed-line structure and the direct relationship between symbols and outcomes. Their online character lies in the presentation: reels can expand into a feature scene, and a scatter can lead into a distinct series of spins.

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The result is a format with a clear beginning, middle and return. The base game establishes the ordinary rules. Scatter symbols may open the bonus passage. The “Book of” free-spin round provides the change of register. Then the slot returns to its base arrangement, ready to repeat the cycle.

Repetition is not an accidental by-product here. It is the point.

What the format does not tell us

A shared structure does not make all Amatic slots identical. A five-reel, three-row field can carry different artwork, symbol hierarchies and feature treatments. Even where the broad design is familiar, the individual paytable remains the authority on what each symbol means and how a feature operates.

The format also says nothing by itself about the commercial setting in which a game appears. Amatic is a software supplier, while the Gambling Commission regulates commercial gambling and remote gambling offered to consumers in Great Britain. A slot’s visual structure is not evidence that a particular operator is authorised to offer it, and the appearance of a provider’s name is not a licence register.

Nor does the familiar design remove the need to distinguish entertainment from regulation. Businesses and individuals involved in commercial gambling in Great Britain occupy different licensing categories, and the Gambling Commission is the sole regulator for commercial gambling there. The reel layout belongs to the game; the permissions to offer remote gambling belong to the regulated operator and the relevant licence framework.

That division is easy to overlook because the player sees one polished screen. Behind it sit separate responsibilities: software design, game mathematics, operator controls and regulatory supervision. The slot makes them appear seamless. Regulation insists that they are not the same thing.

For the game itself, however, the outline remains plain: five reels, three rows, nine or ten fixed paylines, scatter pays and a “Book of” free-spin round. A compact machine, dressed for the internet.

Finding Amatic Games at UK Casinos

An Amatic game does not arrive in Britain as a separate consumer service. It appears inside the catalogue of a UKGC-licensed operator, alongside the rest of that casino’s remote gambling content. The casino is the public-facing business: it opens the account, accepts deposits, records play and pays winnings. Amatic remains a supplier behind the lobby.

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That distinction matters because a casino page and a regulator’s register perform entirely different jobs. A casino’s games page is an editorial selection: a description of the software that the operator says it carries. The Gambling Commission’s Public Register is a regulatory record of businesses and licences. It is not a catalogue of every provider available at every casino, and an Amatic mention in a lobby is not a register entry.

Nor does the appearance of a provider’s name turn a casino into an Amatic-branded establishment. The B2B arrangement allows a UKGC-licensed operator to include Amatic content in its offering. The licence belongs to the relevant business for the activity it conducts; the lobby is simply where that activity becomes visible.

What a casino lobby can show

The route to a title is rarely mysterious, but the labels are not always consistent. A casino may place provider names in a filter, show a supplier tile, or include a separate page for a particular studio. Elsewhere, the same material may be mixed into broader categories such as slots, new releases or featured games. A game can therefore be present without a prominent Amatic heading.

A sensible check begins with the casino’s own games area rather than with a general list of brands. Provider filters are useful when they exist, although their names and placement can change. A search field may find a title directly; a studio menu may reveal a group of games; a category page may contain the same content without making the supplier obvious. These are navigation choices, not regulatory classifications.

A listing also says less than its polished design suggests. It may indicate that the operator has published the game in its lobby, but it does not by itself establish that every account can open it, that every version is active, or that the title will remain available. Casino catalogues are working shelves, not museum inventories.

Availability can depend on territory, account status, technical maintenance or the operator’s current supplier arrangement. The useful question is therefore not whether an old page once mentioned Amatic, but whether the operator’s live games area currently displays the relevant provider or title. A casino’s own current listing carries more practical weight than a dated comparison table.

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The distinction is particularly important for pages that use language such as “best casinos”. A ranking may reflect editorial criteria, commercial relationships or a writer’s selection. It is not proof that the listed operator currently carries every Amatic title, nor that a regulator has approved the ranking. A list is an opinion about presentation; a licence is a legal permission for a gambling business.

Operators named in current listings

A specialist review of Amatic availability identified one group of British operators: Betfred, Jackpotjoy, William Hill, kwiff, PokerStars, Ladbrokes, Paddy Power, Unibet, Virgin Games and Casumo. A separate specialist review named Sky Vegas, 32Red, 888casino, Betfred, bet365, William Hill, Virgin Games, Betway, Betvictor and Betfair.

These names are useful as leads to investigate, not as a permanent national directory. The two sets overlap in places and differ in others, which is precisely what one would expect from operator catalogues that can change and from reviews made at different times. Betfred, William Hill and Virgin Games appear in both accounts; the rest appear in only one of them. That difference should discourage the tidy but false idea that a single list can settle availability indefinitely.

The lists also illustrate why “carried by” needs careful interpretation. It can mean that a reviewer found Amatic material in the operator’s games catalogue at the time of checking. It does not mean that every named title was visible, that all listed games were playable from every British account, or that the operator has made a permanent commitment to the supplier.

For that reason, the operator’s current provider list is the decisive practical document. A specialist review reported that staff at UKGC-licensed operators should check the live provider information for Amatic before depositing, since availability had not been individually verified. That is a narrower and more responsible statement than treating a published list as a guarantee. The date of a review is not decoration.

Editorial evidence versus regulatory evidence

Three kinds of information are often folded together on casino pages, though they should remain separate.

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A provider listing identifies software that an operator presents in its lobby. It answers: “What does this casino say it offers?”

An operator licence concerns the business conducting remote gambling for British customers. It answers: “Is this company authorised to provide the gambling service?”

A regulatory register records licence information supplied by the Gambling Commission. It answers: “What operating or personal permissions are recorded for the relevant business or individual?”

None of these documents replaces the others. A provider page cannot prove an operator’s licence. A register entry cannot prove that a particular game is currently in the lobby. A review can point towards a casino worth checking, but it cannot convert an editorial observation into a regulatory fact.

The underlying division reflects the British habit of separating permission from promotion. The state decides whether a business may offer remote gambling; the business decides how to arrange its shelves; editorial sites decide which shelves to describe. Confusing the three produces a page that looks reassuring while answering the wrong question.

The UKGC register is therefore relevant when checking the operator, not when hunting for a supplier filter. Amatic’s presence as a software provider does not make its name a substitute for the casino’s own operating credentials. Conversely, finding an operator on the register does not automatically establish that Amatic games are live there.

A casino can be properly licensed and still not carry the provider being sought. Another licensed casino can carry it for a time and later reorganise its catalogue. Regulation gives the framework; the lobby gives the current commercial detail. Different documents, different truths.

How to investigate an operator’s catalogue

A careful availability check can be kept quite plain:

1. Open the operator’s current casino or slots section.
2. Look for a provider filter, supplier directory or studio page.
3. Search the catalogue for “Amatic” if the site offers internal search.
4. Confirm that the displayed result opens as an active game rather than a news item, promotional tile or archived page.
5. Check the operator’s current terms, account conditions and jurisdiction information before any deposit.
6. Treat an independent listing as a pointer and compare it with the operator’s live catalogue.

This process avoids a common error: assuming that a casino named on a third-party page still has the same content. A review may be accurate about the moment it examined, yet no longer describe the operator’s present lobby. That is not necessarily misconduct; software menus are revised, supplier contracts change and titles disappear from view. It is simply a reason to distinguish a dated observation from a current check.

The check should also be made at the actual operator site rather than through a look-alike page using a familiar brand name. The legal identity behind the lobby matters. A genuine casino’s account and licensing information should correspond to the business recorded by the Gambling Commission. The provider label is only one part of that verification.

Why “available in the UK” is an imprecise phrase

The expression sounds geographical, but it can hide several different claims. It may mean that Amatic has supplied a title to at least one British operator. It may mean that a reviewer saw the title in a UK-facing lobby. It may mean that a particular account can open the game now. These statements are related, not interchangeable.

The B2B structure makes the difference unavoidable. Amatic is permitted to supply software through the relevant commercial arrangement, while the operator controls the player account and the customer-facing service. Thus, “Amatic is available in the UK” should not be read as “Amatic accepts British players directly”. The supplier is not the casino.

Nor should the phrase be stretched to include offshore sites. Offshore casinos that offer Amatic material, including Curaçao-licensed Winstler and Anjouan-licensed MrJones, sit outside the UKGC system. Their presence online does not make them British licensed operators, and an editorial list of UK casinos should not quietly include them. A foreign licence is not a UKGC licence wearing a different jacket.

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The same caution applies to cryptocurrency claims. A specialist review found no UKGC-licensed operator confirmed as accepting cryptocurrency for Amatic play. That finding concerns the review’s verification, not an eternal rule about every future payment method. Payment options and provider availability are both matters that must be checked at the operator level.

Reading lists without mistaking them for recommendations

A catalogue of names can be useful when it is labelled honestly. It can show where an investigation began, which operators have been associated with Amatic games, and why several sites may deserve a closer look. It should not imply that every named casino is equally suitable, that the list is ranked, or that inclusion amounts to an endorsement.

The two specialist reviews mentioned above demonstrate the limits neatly. Their operator sets are not identical. That does not make one automatically false; it shows that the evidence describes particular checks rather than a timeless register. The responsible reading is comparative: these operators have been identified in specialist availability reviews, while the live casino catalogue remains the place to confirm current access.

A page about the best endorphina online casinos in Britain, for instance, would be answering a different provider question from one about Amatic. Familiarity with one studio does not establish the presence of another. Search language may put several suppliers in the same neighbourhood, but casino lobbies do not become interchangeable because their names share a page.

The practical boundary is therefore simple. Editorial material can help locate a possible operator; the operator’s live catalogue can indicate whether Amatic content is actually displayed; the Gambling Commission’s register can confirm the operator’s regulatory position. Each source has a job. None should impersonate the others.

In a market built from layers—supplier, aggregator, casino, reviewer and regulator—the quietest mistake is often the most expensive: treating visibility as permission, or permission as availability. The lobby is evidence of presentation. The register is evidence of licensing. Between them lies the part that must be checked.

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Mobile Play, Free Games and Real-Money Stakes

Amatic titles published through the AMANET online division are designed for browser play. On a phone or tablet, the game generally opens as an HTML5 application inside the casino’s mobile site, so there is no separate download standing between the lobby and the reels. The same approach supports play on a desktop browser, although the layout may adapt to the available screen rather than reproducing the exact proportions of a computer display.

That technical detail matters because a mobile game is not necessarily a mobile app. HTML5 runs within the browser, while the casino account, wallet and game access remain tied to the operator’s platform. A player may therefore move between devices without treating the slot as a piece of software installed permanently on one handset. The practical experience still depends on the operator’s site, the device, the browser and the quality of the connection. Technology has made the casino smaller; it has not made it independent of its landlord.

Free play is a simulation

A demo mode, where an operator provides one, uses virtual credits rather than money deposited into a gambling account. It is useful for seeing how the interface behaves, identifying the paytable and observing the sequence of a feature without placing a wager. It does not create a cash balance, produce a withdrawal entitlement or establish that a real-money version is available at the same casino.

Free play and real-money play are therefore separate forms of access. A slot may appear in a lobby with a demonstration option while real-money access is restricted by account status, operator availability or the rules applied to that particular game. Conversely, a real-money title may be available without a prominent demo button. The wording around the game, rather than the presence of familiar reels alone, determines which mode is active.

Real-money play takes place through a UKGC-licensed casino. The operator handles the account and the financial transaction; the provider’s browser game is the front end of that arrangement, not a separate casino account. Deposits, withdrawals and any applicable account controls belong to the operator’s service. A free version should not be mistaken for a back door into real-money gambling, and a real-money version should not be described as a free game merely because it loads in a browser.

Stakes on a British mobile slot

The small screen does not create a separate stake regime. Online slot limits apply to the game cycle whether the game is opened on a phone, tablet or desktop computer.

For players aged twenty-five and over, the maximum stake is £5 per game cycle. This limit took effect on 9 April 2025. Players aged eighteen to twenty-four face a lower maximum of £2 per game cycle, introduced on 21 May 2025. Age is therefore relevant not only when an account is opened but also to the permitted cost of a spin.

A game cycle concerns the individual play resolved by the slot. Changing the device, rotating the screen or opening the title through a mobile browser does not alter the applicable ceiling. Nor does a larger balance make a higher stake permissible. The rules follow the remote slot, not the size of the screen or the confidence of the account holder.

British online slots also have design restrictions intended to interrupt rapid, automatic repetition. Autoplay is prohibited. Each spin must be separated by an interval of at least 2.5 seconds, so a mobile interface cannot lawfully turn a sequence of wagers into an unattended conveyor belt. The pause may look modest, but regulation often works through precisely such small frictions: not a sermon, just a delay.

These rules apply to real-money play. Demo credits are not a cash stake, but the demonstration mode must still be distinguished clearly from the wagering environment. A button labelled as a practice or demo option should not be read as evidence that winnings can later be transferred. For anyone comparing mobile access with desktop access, the meaningful questions are consequently simple: whether the casino offers the title in HTML5, whether the displayed mode is free or real-money, and which stake limit applies to the account holder’s age group.

The result is a mobile format that is technically light but legally structured. A browser may open the game quickly; it cannot remove the operator’s responsibilities, the player’s age category or the limits placed on each spin.

Bonuses, Free Spins and the Terms That Matter

An Amatic game may appear in a casino lobby, but Amatic Industries is not the party offering the promotion. It is a B2B software supplier and does not take bets from British players. The casino operator handles the account, deposits, withdrawals, winnings, bonus conditions and customer support. A search for an Amatic casino first-deposit bonus therefore leads, in practical terms, to the operator’s offer rather than to a provider-funded promotion.

That distinction matters when a page advertises free spins, no-deposit play or a small minimum deposit. The game supplier does not decide whether a bonus exists, which titles qualify, how long an offer lasts or whether winnings can be withdrawn. Those details belong to the promotional terms attached to the casino account. They can also change while the same Amatic title remains in the lobby.

The UK wagering limit

For British remote gambling, the Gambling Commission’s cap on bonus wagering requirements is 10×. It came into force on 19 December 2025. The rule applies to bonus funds, so an offer cannot lawfully impose a higher playthrough requirement on customers in the regulated market.

That does not make every bonus interchangeable. A 10× ceiling is a maximum, not a standard promise that every promotion reaches. The terms may still specify eligible games, a time limit, a maximum conversion value, excluded payment methods or a requirement to verify the account. A no-deposit offer may also attach conditions to the free spins themselves. The headline is only the shop window; the small print is where the furniture lives.

Free spins and bonus funds should be treated as separate things. Free spins may be issued for a named slot or a selected group of games, while a deposit bonus may be credited as restricted funds. The resulting winnings can have different withdrawal rules. “No wagering” has a precise meaning only when it applies to the winnings generated by the spins, rather than merely to the spins being granted without a deposit.

Examples of no-wagering free-spin wins

A specialist review reported that 32Red, Betfred and Bet365 offered free-spin promotions in which winnings were credited as cash with 0× wagering. In that formulation, the winnings did not require further playthrough before withdrawal. This is a reported promotional arrangement, not a permanent feature of every offer at those operators.

The same type of review described a bet365 offer requiring a £10 minimum lifetime deposit and providing up to 500 spins across 10 days. The figures belong to that particular offer and its stated conditions; they should not be carried over to another casino, another Amatic title or a later version of the promotion.

The wording “free spins no deposit” can therefore conceal several different arrangements. Spins may be genuinely issued without a deposit, or a promotion may require a qualifying deposit before the spins appear. A lifetime-deposit condition is not the same as a first-deposit condition, and a cashable win is not the same as unrestricted bonus balance.

For Amatic play in the United Kingdom, the operator’s current terms decide the outcome: eligibility, qualifying deposit, game restrictions, expiry, wagering and withdrawal treatment. The provider supplies the game; the casino supplies the bargain, and carries the responsibility.

RTP Can Change Between Casinos

Return to player, or RTP, is attached to a particular game configuration rather than permanently stamped across every casino lobby carrying the title. The same Amatic slot can therefore be supplied in different RTP versions, depending on the operator’s chosen setup. A casino name alone says little about that setting.

A concrete illustration comes from Book of Aztec. A specialist review recorded two RTP versions for the slot: 90.57% and 97.63%. Those figures are not interchangeable descriptions of one universal version. They identify different configurations that may be presented by different operators.

That distinction matters because RTP is a long-run statistical return, not a promise attached to an individual session. It does not predict the result of the next spin, and it cannot turn a lower-return configuration into a higher-return one through luck. Nor is the higher figure evidence that a particular casino is preferable in every other respect. It is one technical term among the operator’s published game details.

The practical point is simple: the title in a lobby is not enough. The game’s information panel or rules should be checked for the stated RTP before play begins. If the figure is absent, unclear or inconsistent with other information about the same title, the configuration cannot safely be assumed.

This also explains why lists of casinos carrying Amatic software should not be read as RTP rankings. Availability answers one question — whether the game can be opened there. RTP answers another — which mathematical version has been supplied. Promotional terms, account conditions and the operator’s wider practices remain separate matters.

A small number can change the picture.

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